Some time ago, Emily was given the assignment to write an autobiography of sorts for one of her classes at school. The teacher for this course of study insisted on a project that revolves around her personal history for the threads that form the tapestry of her own life.
Emily's research was significant and involved discussions and interviews with family members, investigative reporting, letter
writing, gathering photos, and so on. It included a series of personal
writings and explorations which she completed and presented in a creative format.
She compiled all of this into a special book, something unique and creative, rather than the usual stapled pack of papers. When she finished, I thought this collection was too good to let fall back into the files of remedial school assignments and fade out of memory, so I posted it.
Her personal tapestry follows:
PERSONAL TAPESTRY
tap es try (tap ǝ strѐ), noun: a heavy woven fabric made up of multiple, many-colored threads, which, in combination with one another, portray an overall design or picture.
My personal tapestry began long ago in a location far removed from my current residence. I was born on Fidalgo Island in Anacortes, WA. I am the last of six children born to my mother and father. I don’t remember a lot about Anacortes. We moved from there just two years after my birth. I have of course been back to Anacortes a couple times and we have many friends from that area though our stay there was relatively short. That has also been true for my life. Though my interaction with my friends has been fleeting and brief, each one has made an impact on who I am and the values I hold dear. Some brushes with comrades have simply impressed me to choose one way or another similar to the highlight of a filament or fiber among the pattern of my life, while other friends and family members have influenced my core decisions and are like deeply woven threads in my personal tapestry that make me who I am today. My personal searching for the threads that form the tapestry of my life have grounded my perspective and given me encouragement that I can accomplish anything I set my mind to. Searching involved discussions and interviews with family members, research, letter writing, gathering photos, and so on. It includes a series of personal writings and explorations which I present in a creative format below. My personal tapestry contains the following:
My autobiographical incident helped me begin to understand what has made me the way I am. This is a most important
thread in my tapestry, as well as longest. But it is not finished yet. My personal tapestry is a work in progress and changes regularly as a daughter, a sister, an aunt, and a friend.
I have always loved to go down to Castle Valley and visit my
grandparents…
My explanation of how my family came to America and where they are from originally follows. My grandparents were involved in the westward migration, and their story is included below. As in all families, there are cultural or ethnic traditions, folklore, and superstitions that are part of the family heritage. These are included as well. Enjoy what I learned as I interviewed family members to discover this valuable information.
EMIGRATION
TO UTAH
paternal
great, great grandfather
I will now
give a brief account of our experiences while emigrating
in the year 1860 compared to now.
My parents,
wishing to be well prepared with good clothing and bedding
when they arrived at their destination, had enough new clothing
and bedding made to fill two large boxes which my Father had
made extra strong. These boxes were about the size of a large
trunk. These they packed solid with good clothing and bedding
besides what we could carry in our hands.
They were
just beginning to build the first railroad ever known in
Switzerland and I remember well that instead of nice cushioned
seats and backs like they have now, they were flat, thick plank
seats without any backs to them. They surely did get hard and
tiresome in the long run. Other than this we got along fairly well
until we came to what they called the North Sea. There we
were hurried down a step ladder into a tightly enclosed box
ship covered on the bottom with straw. The stench that met us,
coming up out of the hole where we had to go down, was enough
to turn anyone sick. The ship did not much more than get started when a severe storm
came and sailors had to put a lid over the hole tightened
with some kind of pitch. This closed out all the fresh air and the
ship seemed as though going over waves like high hills. The
people soon got awfully sick to their stomachs and there was no light
in the ship all night. That was a terrible night for all the company
never to be forgotten, but in the morning when the sea had
calmed and we could get out into the fresh air and the beautiful
sunshine it seemed to me almost like a resurrection from the dead.
While going
across England to Liverpool it was quite interesting
to see herds of cattle and sheep and quite large herds of swine now
and then.
Our company
was told to buy some cooking kettles and coffee cans
to use on the ship. This we did, after which we were all hurried down
into the sailing ship. After the ship started the people got
their food, such as potatoes, beans, and peas, apportioned
to them raw. In the ship there was a kitchen with a large stove
and negro cooks, to whom they could bring the cooking kettles with
the raw food to cook. I remember one time when the father got
his kettle on the stove and came back to be with us, when he
thought the food had plenty of time to be well cooked he found that
his kettle had been taken off the stove without being cooked at
all. Afterwards he thought it better to stay and see that it would not
be set to one side as there seemed to be far too many passengers for
the room on the cooking stove when they would like to get their
food cooked.
We never had bread to eat, but some awfully hard “tack” that we
could not eat without soaking in hot coffee for a long while first. I
remember well one time when we were all very hungry after father
had gone nearly all the forenoon trying to get our food cooked. At
last he came back with it uncooked. He said that the kitchen was
so crowded with people all the time that the negroes got mad and
drove the people out with sticks of wood. So we had to go hungry
lots of the time during the two months and three days (if I
remember right) it took to cross the ocean as the winds were against
us a good part of the time and drove the ship backwards,
sometimes for a few days. It seemed like there was no end to being
on the water. We sure felt to rejoice when we got to see land
again.
THE HANDCART
JOURNEY
As father
was not able to talk or understand a bit of English
(traveling partly by land and partly on rivers), we could not always
get what we needed so we were hungry again a good part of the
time. At last we arrived at a place called Florence form where we
were to start on our journey across the plains. There we learned that
we had to cross the plains with the Martin Handcart Company* in
1860. So, instead of better times ahead of us, our hardships
increased as my parents had three small children to haul in the
handcart. There was no room for much else except a very little
clothing and bedding and, as there were no team and wagon
outfits except to haul about half enough provisions for the large
handcart company. We were told that they could not take those large
boxes that my parents had filled with their good clothing and
bedding. They could not be put in the small handcart with three
little children in it, so father went to see if he could find someone who
could speak German as he wished to find someone that could
interpret for him and then try to sell those boxes filled with good
clothing for a little something. He could not find anyone to interpret
and we had to leave them there without getting a cent for them.
Later on, we needed the contents of the boxes in the worst way for when we got to Salt Lake City, we were almost without
clothing and bedding. If we could have brought them with us we would
have been well supplied with clothing and bedding for a few
years.
There were
only four wagons with oxen to pull them to haul
provisions for about fifty families (if I remember right.) Soon after we
started, we were told we could only have half rations, that is,
just half as much as is considered what an average person needs to
live on. So, we had to do our traveling on just half enough to
eat. My dear mother had a little baby to nurse and, only having
half enough to eat and having to pull the handcart all day long,
day after day, she soon got so weak and worn out that she could
not help father anymore. Nor was she able to keep up with the
company till evening without pulling on the handcart. Sometimes,
when we camped she was so far behind the company we could not
see anything of her for quite a while so that I was afraid she
might not be able to get to the camp. Father let
mother have a bigger part of the half ration. This
shortage of food, together with having the three children with everything
else we had in the handcart, made it too heavy for him to pull
alone. In this hungry and also nearly worn out condition, I have never
forgotten how when I, a nine-year-old boy, would be so tired that I
would wish I could sit down for just a few minutes (how much
good it would do to me), but instead of that my dear, nearly worn
out father would ask me if I could not push a little more on the
handcart.
I will never
forget how hungry I was all the time. One of the
teamsters, seeing two buffaloes near the oxen, shot one of them and the
meat was divided among the whole handcart company. My
parents also got a small piece which my father put in the back
end of the handcart. That was in the forepart of the week. He
said that we would save it for our dinner next Sunday. I was so very hungry all the time and the meat smelled so good to me while
pushing at the handcart and, having a little pocketknife, I could not
resist, but had to cut off a piece or two each half day. Although I
was afraid of getting a severe whipping after cutting a little the
first few times, I could not resist taking a little each half day. I would
chew it so long it got perfectly tasteless. When Father went
to get the meat on Sunday noon, he asked me if I had been cutting
off some of the meat. I said, “Yes,” and that I was so hungry that
I could not let it alone. Then, instead of giving me the severe
scolding and whipping, he did not say a word but started to wipe the
tears from his eyes. As we had so little to eat, I wondered why
they did not shoot more buffaloes when there were herds of
many thousands traveling the opposite direction from which were
traveling. I afterwards learned that it was awfully dangerous to
shoot into a big herd as they were easily stampeded and, when
stampeded, they would run over emigrants or anything in their
way.
MY GIVEN NAME
I am just beginning to understand and appreciate the explanation of the meaning and history of my name, as well as the
significance of my name in the family (named for grandparents, relatives,
etc.) These feelings are frankly hard to describe, but I feel a connection when I learn more about why my parents felt passionate about my name. Catherine
Hopewell (Granny’s paternal grandmother), Emily Towell Will Bagley South Pass: Gateway to a Continent, Emily (industrious,
hardworking)
Poems that reflect who I am:
a. THE WIND BENEATH MY WINGS
It must have been cold there in my
shadow,
To never have sunlight on your face.
You were content to let me shine,
that's your way,
You always walked a step behind.
So I was the one with all the glory,
While you were the one with all the
strength.
A beautiful face without a name -- for
so long,
A beautiful smile to hide the pain.
CHORUS:
Did you ever know that you're my hero,
And ev'rything I would like to be?
I can fly higher than an eagle,
'Cause you are the wind beneath my
wings.
It might have appeared to go
unnoticed,
But I've got it all here in my heart.
I want you to know I know the truth,
of course I know it,
I would be nothing without you.
Fly, fly, fly away,
You let me fly so high.
Oh, fly, fly,
So high against the sky, so high I
almost touch the sky.
Thank you, thank you, thank God for
you,
The wind beneath my wings.
b. MY HEAVENLY FATHER LOVES ME
Whenever I hear the song of a bird
Or look at the blue, blue sky,
Whenever I feel the rain on my face
Or the wind as it rushes by,
Whenever I touch a velvet rose
Or walk by our lilac tree,
I'm glad that I live in this beautiful
world
Heav'nly Father created for me.
He gave me my eyes that I might see
The color of butterfly wings.
He gave me my ears that I might hear
The magical sound of things.
He gave me my life, my mind, my heart:
I thank him rev'rently
For all his creations, of which I'm a
part.
Yes, I know Heav'nly Father loves me.
c. BUILDER OR WRECKER
As I watched them tear a building down
A gang of men in a busy town
With a ho-heave-ho, and a lusty yell
They swung a beam and the side wall
fell
I asked the foreman, "Are these
men skilled,
And the men you'd hire if you wanted
to build?"
He gave a laugh and said, "No,
indeed,
Just common labor is all I need."
"I can easily wreck in a day or
two,
What builders have taken years to
do."
And I thought to myself, as I went my
way
Which of these roles have I tried to
play?
Am I a builder who works with care,
Measuring life by rule and square?
Am I shaping my work to a well-made
plan
Patiently doing the best I can?
Or am I a wrecker who walks to town
Content with the labor of tearing
down?
"O Lord let my life and my labors
be
That which will build for
eternity!"
d. THE TOUCH OF THE MASTERS HAND
Twas battered and scarred, and the
auctioneer
thought it scarcely worth his while
to waste much time on the old violin,
but held it up with a smile;
"What am I bidden, good folks," he cried,
"Who'll start the bidding for
me?"
"A dollar, a dollar"; then two!"
"Only two? Two dollars, and who'll make it three?
Three dollars, once; three dollars twice; going for three..."
But no, from the room, far back, a gray-haired man
came forward and picked up the bow
Then, wiping the dust from the old violin, and tightening the loose strings,
He played a melody pure and sweet as a caroling angel sings.
The music ceased, and the auctioneer,
with a voice that was quiet and low,
said; "What am I bid for the old
violin?" And he held it up with the bow.
A thousand dollars, and who'll make it
two? Two thousand! And who'll make
it three? Three thousand, once, three
thousand, twice, and going and gone," said he.
The people cheered, but some of them cried, "We do not quite understand
what changed its worth." Swift came the reply: The touch of a master's
hand.
And many a man with life out of tune,
and battered and scarred with sin,
Is auctioned cheap to the thoughtless
crowd, much like the old violin,
A mess of pottage, a glass of wine; a game - and he travels on.
He is going once, and going twice, He's going and almost gone.
But the Master comes, and the foolish crowd never can quite understand
the worth of a soul and the change that's wrought by the touch of the Master's
hand.